Without Latency: <i>Cathode Immersions</i> and the Neglected Practice of Xenocasting for Television and Radio
DOI:
https://doi.org/10.18146/2213-0969.2015.jethc086Keywords:
simulcast, experimental, radio, xenocasting, media, soundscape, improvisation, composition, adjacencyAbstract
This paper discusses a three-year radio project Cathode Immersions, which was aired on 2SER in Sydney Australia. The audio that accompanied free-to-air television was remixed and rebroadcast in real time without latency. It explores the human and non-human aspects of the convergence of these two media, introducing ideas of xenocasting and media adjacency. The weekly xenocast of Cathode Immersions afforded unique translations of cultural narratives, from commentary on the Gulf War to machinic perspectives on the desires that surround commercial broadcasting.
Published
2015-09-09
Issue
Section
Explorations
License
Copyright (c) 2015 The Author(s)
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).