Master of Photography: Investigating Transnational Creative Exchanges in the Production of a Ready-Made Talent Show

Authors

  • Marta Perrotta Università Roma Tre

DOI:

https://doi.org/10.18146/view.217

Keywords:

format, canned show, art television, co-production, production model, independent production, indie, cross-cultural, pan-European, global, creative agency, storytelling, talent show, documentary,

Abstract

Italy plays a peripheral role in the global market of ready-made shows, for historical reasons that pertain both to the marginality of the Italian language and to the scarcity of cultural and economic investments in the globalization of the products. This essay focuses on the analysis of Master of Photography, a docu-talent show produced since 2015 by the Italian indie B/Arts for the pan-European production hub that Sky Limited conceived to produce suitable content for the group’s national art channels (UK, Ireland, Germany, Austria and Italy). Going beyond the analyses concerning the global TV market, this research brings together the perspective of critical political economy and the studies on television’s production routines, with the aim of unveiling both the elaborate adjustments and the necessary compromises required by a cross-cultural creative process that has to meet the expectations and satisfy the tastes of different national audiences. Although the format offers the Italian prodco the opportunity to develop a new production model, with positive effects on the company’s international reputation, its potential influence on the globalization of Italian products and on the growth of ready-made show is still to be demonstrated.

Author Biography

Marta Perrotta, Università Roma Tre

Marta Perrotta (PhD) is associate professor at Roma Tre University, Italy, where she teaches two courses (Digital media and Cultures and formats of Radio and Television) and the Tv Format Writing workshop. Her main research interests include comparative television studies, production studies, radio and sound studies. She is author of three manuscripts - Fare Radio (2017), Il Format Televisivo (2007) and L’ABC del fare radio (2003) - and co-editor of Factual, Reality, Makeover (2013), with Veronica Innocenti. Her articles and papers appear in journals like Media Culture and Society, The Radio Journal, Problemi dell’Informazione, International Journal of Cultural Studies, Imago. She has been working as writer, editor and author with radio and TV production companies and broadcasters. She is the programming director of the college radio station Roma Tre Radio (radio.uniroma3.it).

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Published

2020-08-31

Issue

Vol. 9 No. 17 (2020): Canned TV Going Global

Section

Discoveries

License

Copyright (c) 2020 The Author(s)

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