Transnational Television Distribution and Co-Production Challenges: A KirchMedia and Sony Pictures Television Case Study

Authors

  • Paul Torre University of Northern Iowa

DOI:

https://doi.org/10.18146/view.215

Keywords:

television co-productions, transnational media distribution, scripted television, joint ventures, television formats, business models

Abstract

This article explores the production and distribution process for television co-productions and explains the potential benefits and risks compared to other media joint ventures, like television formatting. Using a detailed case study of one television series within a larger co-production agreement between a German rights trader and a Hollywood studio, the author analyzes production and distribution challenges and complex contractual arrangements within the context of global media trade. Co-productions are situated in between, and as a transition from, acquiring rights to canned television programs, and acquiring rights to television formats. The author contends that a range of difficulties in co-productions has contributed to a turn to television formatting, where the production process is more easily controlled and customized by the partner acquiring the property, leading to more predictable and successful distribution outcomes.

Author Biography

Paul Torre, University of Northern Iowa

Paul Torre received his Ph.D. from the University of Southern California’s School of Cinematic Arts. His media industry experience includes positions in film and television development, production, marketing, distribution and legal affairs. He served as Vice President of Programming and Production for the German media conglomerate KirchMedia, working in Hollywood and overseeing television co-productions and arranging international distribution with the major studios. His research and publications explore entertainment industry structures and practices, media regulations and policies, the interplay between U.S. and global media markets, and how new technologies are shaping the media business models of the future.

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Published

2020-08-31